The Olympus PEN E-PL1 vs Nikon D3000 paradox

Petavoxel recently bemoaned the fact that the majority of sensors in recent micro four thirds EVIL cameras (or MILCs, if you prefer) perform poorly compared to contemporary APS-C sized sensors in digital SLRs. The only exception was the Panasonic GH1, which put up quite a respectable showing compared to its μ4/3 stablemates.

Yesterday dpreview posted their review of the E-PL1, and they were very happy with its high ISO performance. I quote:

Overall, the E-PL1′s images are the most natural and convincing here – avoiding the D3000′s overly contrasty, noisier images …  Most impressive is the E-PL1′s ability to produce results comparable with the EOS 500D and Pentax K-x, despite its smaller sensor.

But what does DXO Labs have to say? They disagree, showing that the big three leave the E-PL1 gasping for photons with a lowly 487  points in the low-light ISO stakes.

Hence, the paradox.

How do these two $500-ish cameras weigh up against each other?

How can this be? Is either DXO Labs or dpreview writing nonsense? The keen observer will notice that there are two significant differences in the way these two respected websites measure image quality: Continue reading

Samsung’s advance

Samsung has been making cameras for some time now, but (at least I) never really took them seriously. Things might be changing…

Why? Because it looks like they’re doing something similar to Panasonic. But isn’t the obvious deal-breaking difference that Panasonic is Japanese, and Samsung Korean? Please bear with me…
Both Samsung and Panasonic are huge, well-known mega-companies.  Both make lots of different stuff. Panasonic Corporation used to make bicycles, makes every kind of imaginable electronics, and even acts as a mayor sponsor in Formula 1. The Samsung group is even more diverse, making electronics, ships (yes – those big things sailing the world’s oceans) and even being involved in construction as well as soccer and Olympic sponsorship. You could think that this lack of (ahem) “focus” would make them bad at producing cameras, but then you could be wrong.

Why do I put this logo in my "Samsung" article? Read to see why...

Panasonic came to the digital camera party around 2001, which is later than the classical photographic big boys such as Nikon and Canon. Sure, they’re Japanese, and the Japanese have a knack for making good cameras. But they had to be content with a teeny tiny market share compared to the big boys, who were solidly into digital photography by the mid 90′s.

The Lumix FZ3 was the first Panasonic camera to catch my eye. Great lens, and great ergonomics.

Continue reading