Samsung’s advance

Samsung has been making cameras for some time now, but (at least I) never really took them seriously. Things might be changing…

Why? Because it looks like they’re doing something similar to Panasonic. But isn’t the obvious deal-breaking difference that Panasonic is Japanese, and Samsung Korean? Please bear with me…
Both Samsung and Panasonic are huge, well-known mega-companies.  Both make lots of different stuff. Panasonic Corporation used to make bicycles, makes every kind of imaginable electronics, and even acts as a mayor sponsor in Formula 1. The Samsung group is even more diverse, making electronics, ships (yes – those big things sailing the world’s oceans) and even being involved in construction as well as soccer and Olympic sponsorship. You could think that this lack of (ahem) “focus” would make them bad at producing cameras, but then you could be wrong.

Why do I put this logo in my "Samsung" article? Read to see why...

Panasonic came to the digital camera party around 2001, which is later than the classical photographic big boys such as Nikon and Canon. Sure, they’re Japanese, and the Japanese have a knack for making good cameras. But they had to be content with a teeny tiny market share compared to the big boys, who were solidly into digital photography by the mid 90′s.

The Lumix FZ3 was the first Panasonic camera to catch my eye. Great lens, and great ergonomics.

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The rise and fall of the digital SLR

During the latter days of film photography, almost every photographer used 35mm film, and almost every serious photographer used a 35mm film SLR. In the early days of digital photography the SLR was almost forgotten, only to make a huge comeback since 2003. There are signs that this is again to change. Why? This blog post will try to sum it up.

SLR is an acronym for “single lens reflex”, and means that the photographer physically looks through the lens by means of a rather complex mirror and prism setup. In the film days this was the only way to accurately show a photographer how his picture was going to look, since his eye was physically seeing the same image that was going to be projected onto the film when the shutter was pressed.

The complex path that light travels in a (digital) SLR camera

Compact “point and shoot” cameras had separate optical viewfinders through which the user framed the picture, but suffered from parallax error (especially when looking at close subjects), and could not properly show focus, depth of field or exposure.

A 35mm point and shoot camera

All of this changed with the advent of digital photography.

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